Academic
“THE GESTURE WITHERS FOR WANT”: Reading Arun Kolatkar’s ‘the boatride’ in: A History of Punctuation in English Literature (edited by Elizabeth Bonapfel et al.). Cambridge: Cambridge University Press (forthcoming)
“Pearls of a Rare Hue: Partition Histories in Manto’s Necropolis” in: Feminist Trans/Formations: Media, Art, Literature (edited by Silvana Carotenuto, et al). Napoli: UniorPress, 2024 (p. 185-196)
(ed. with Florian Schybilski) Special Issue: “Modernities in the Contact Zone. Translating Across Unfamiliar Objects” in: Kairos: A Journal of Critical Symposium. Vol. 8. No. 1 (2023)
– Introduction: Unfamiliar Objects, Dialogic Translations (with Florian Schybilski) (p. 1-9)
– Essays towards Dialogicity: Response to Abiral Kumar, Souradeep Roy, Sainico Ningthoujam, Michelle Stork and Rita Maricocchi (with Florian Schybilski) (p. 108-129)
“Pierce a Diamond First”: Negotiating with Kabir’s “Modern” Translations in: Minor Perspectives on Modernity Beyond Europe (edited by Y. Attia, J. Hirsch, K. Samson). Baden Baden: Ergon, 2023, 53-69
Poetry
“fermentations” in: The Penguin Book of Poems on the Indian City (2025)
ASHKARI/LUDOLOGY (chapbook), Cutt Press (Summer 2024)
“summer corpora”, “at thirty”, and “berlin dream ledger” in: The Bombay Literary Magazine (April 2024)
“fermentations”, “Who will tell Knausgård”, “Jatinga”, and “I dream of bananas in Delhi” in: The Bombay Literary Magazine (August 2022)
“Kathmandu” and “Fever” in: nether quarterly (August 2020) [PDF]
“Jogighopa” and “Ravine” in: Vayavya (October 2019)
“Pigeon Flying” in: Eclectica (January 2019)
“genesis” in: Fearsome Critters (April 2018) [page 100]
“late night television” and “a haunting in autumn” in: Eclectica (April 2018)
“notes on trains and planes” in: The Bombay Literary Magazine (March 2018)
“Notes on Sampling Mate Brands in Berlin” in: Vayavya (October 2017)
“bongaigaon” in: Jaggery (August 2017; via the Wayback Machine)
“she tells him of her fears” in: Rattle (July 2017)
Benares Poems in: The Sunflower Collective (June, 2017)
Fragment of “Genesis” listed as a “dismal” one in Keki N Daruwalla’s column in The Hindu (No; the humorous part is not mine)
“Snow” poems in: The Sunflower Collective (Feb, 2017)
“Pericles in Exile” in: FU Review (2016)
“Growing Up” in: Vayavya (2013)
Prose
Press release for Susumu Kamijo’s Perrotin Seoul show “ALONE WITH EVERYBODY” (April 2022) [PDF]
delhi; open for Xenia (2018)
A Ducan in Split for Center for Peripheries (2022) [pdf]